{"id":3326,"date":"2022-12-20T21:08:45","date_gmt":"2022-12-20T20:08:45","guid":{"rendered":"https:\/\/docroma.org\/results\/"},"modified":"2026-01-22T16:01:00","modified_gmt":"2026-01-22T15:01:00","slug":"results","status":"publish","type":"page","link":"https:\/\/docroma.org\/en\/results\/","title":{"rendered":"Results"},"content":{"rendered":"<p><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container has-pattern-background has-mask-background hundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-background-blend-mode:screen;--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-padding-top:12vw;--awb-padding-right:0px;--awb-padding-bottom:5vw;--awb-padding-top-medium:18vw;--awb-padding-right-medium:8vw;--awb-padding-left-medium:8vw;--awb-padding-top-small:50px;--awb-padding-right-small:0px;--awb-padding-bottom-small:30px;--awb-padding-left-small:0px;--awb-background-color:var(--awb-custom_color_5);--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-justify-content-center fusion-flex-content-wrap\" style=\"width:104% !important;max-width:104% !important;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion-flex-column fusion-flex-align-self-center fusion-animated\" style=\"--awb-padding-right-small:7vw;--awb-padding-bottom-small:0px;--awb-padding-left-small:7vw;--awb-bg-size:cover;--awb-width-large:55%;--awb-margin-top-large:0px;--awb-spacing-right-large:3.4909090909091%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:3.4909090909091%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-margin-bottom-medium:60px;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-margin-bottom-small:0;--awb-spacing-left-small:1.92%;\" data-animationType=\"fadeInLeft\" data-animationDuration=\"0.8\" data-animationOffset=\"top-into-view\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-title title fusion-title-1 fusion-sep-none fusion-title-center fusion-title-text fusion-title-size-one\" style=\"--awb-text-color:var(--awb-custom_color_6);--awb-margin-bottom:35px;--awb-margin-bottom-small:20px;--awb-sep-color:var(--awb-custom_color_3);--awb-font-size:40px;\"><h1 class=\"fusion-title-heading title-heading-center fusion-responsive-typography-calculated\" style=\"font-family:&quot;Archivo Black&quot;;font-style:normal;font-weight:400;margin:0;font-size:1em;text-transform:none;--fontSize:40;line-height:1.35;\"><p style=\"text-align: center;\">Results<\/p><\/h1><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-2 fusion-flex-container has-pattern-background has-mask-background nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-padding-top:100px;--awb-padding-right:12vw;--awb-padding-bottom:100px;--awb-padding-left:12vw;--awb-padding-top-small:50px;--awb-padding-right-small:20px;--awb-padding-bottom-small:50px;--awb-padding-left-small:20px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:95.68%;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_1_4 1_4 fusion-flex-column\" style=\"--awb-padding-top:8px;--awb-padding-right:15px;--awb-padding-bottom:8px;--awb-padding-left:15px;--awb-bg-color:var(--awb-custom_color_3);--awb-bg-color-hover:var(--awb-custom_color_3);--awb-bg-size:cover;--awb-width-large:25%;--awb-margin-top-large:0px;--awb-spacing-right-large:7.68%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:7.68%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-title title fusion-title-2 fusion-sep-none fusion-title-text fusion-title-size-four\" style=\"--awb-text-color:var(--awb-custom_color_6);--awb-margin-bottom:0px;--awb-margin-bottom-small:0px;--awb-font-size:30px;\"><h4 class=\"fusion-title-heading title-heading-left fusion-responsive-typography-calculated\" style=\"font-family:var(--awb-custom_typography_1-font-family);font-weight:var(--awb-custom_typography_1-font-weight);font-style:var(--awb-custom_typography_1-font-style);margin:0;font-size:1em;letter-spacing:var(--awb-custom_typography_1-letter-spacing);text-transform:var(--awb-custom_typography_1-text-transform);--fontSize:30;line-height:var(--awb-custom_typography_1-line-height);\">Lidia Mer\u00e1s<\/h4><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-2 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-padding-top:30px;--awb-padding-right:30px;--awb-padding-bottom:30px;--awb-padding-left:30px;--awb-padding-right-small:15px;--awb-padding-left-small:15px;--awb-bg-size:cover;--awb-border-color:var(--awb-custom_color_3);--awb-border-top:1px;--awb-border-right:1px;--awb-border-bottom:1px;--awb-border-left:1px;--awb-border-style:solid;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-title title fusion-title-3 fusion-sep-none fusion-title-text fusion-title-size-three\" style=\"--awb-text-color:var(--awb-custom_color_4);--awb-margin-bottom:0px;--awb-margin-top-small:20px;--awb-margin-bottom-small:20px;--awb-font-size:var(--awb-typography2-font-size);\"><h3 class=\"fusion-title-heading title-heading-left fusion-responsive-typography-calculated\" style=\"font-family:&quot;Archivo&quot;;font-style:normal;font-weight:700;margin:0;font-size:1em;letter-spacing:var(--awb-typography2-letter-spacing);text-transform:var(--awb-typography2-text-transform);--fontSize:18;--minFontSize:18;line-height:var(--awb-typography2-line-height);\">Publicaciones<\/h3><\/div><ul style=\"--awb-size:16px;--awb-iconcolor:var(--awb-custom_color_4);--awb-divider-color:var(--awb-color1);--awb-textcolor:var(--awb-custom_color_3);--awb-line-height:27.2px;--awb-icon-width:27.2px;--awb-icon-height:27.2px;--awb-icon-margin:11.2px;--awb-content-margin:38.4px;\" class=\"fusion-checklist fusion-checklist-1 fusion-checklist-default fusion-checklist-divider type-icons checklist-research\"><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p>Buhigas Jim\u00e9nez, R. and Mer\u00e1s, L. \u201cInterwar Romanies in the British Path\u00e9 (1922-1939)\u201d, <i data-ogsc=\"\">Historical Journal of Film, Radio and Television<\/i>, vol. 46, issue 1, 2026.<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p>Mer\u00e1s, Lidia y Moya Jorge, Tamara, \u201cAntigitanismo y relecturas gitanas de Lola Flores\u201d, en Asier Gil (Ed.), Escritos sobre Lola Flores. Trayectoria, imagen y legado, Tirant lo Blanch (en prensa).<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p>Mer\u00e1s, L., \u201cDe Curro Jim\u00e9nez a Drag Race. Los gitanos en las series espa\u00f1olas\u201d, The Conversation, 23 enero 2025. ISSN: 2201-5639, https:\/\/doi.org\/10.64628\/AAO.atjqvgqpa<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p>Mer\u00e1s, L (2025). \u201cIdentidades parentales en el cine de ciencia ficci\u00f3n contempor\u00e1neo\u201d, <em>Papeles de identidad<\/em>, <i>Contar la investigaci\u00f3n de frontera, <\/i>vol. 2025\/1, 320, pp. 1-17. https:\/\/doi.org\/10.1387\/pceic.24804.<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p>Mer\u00e1s, L. (2025), \u201cDe <em>Curro Jim\u00e9nez<\/em> a <em>Drag Race<\/em>. Los gitanos en las series espa\u00f1olas\u201d, <em>The Conversation<\/em>, 23 enero 2025. ISSN: 2201-5639, <a href=\"https:\/\/theconversation.com\/de-curro-jimenez-a-drag-race-la-mejorable-representacion-de-los-gitanos-en-las-series-de-television-espanolas-246581\">https:\/\/theconversation.com\/de-curro-jimenez-a-drag-race-la-mejorable-representacion-de-los-gitanos-en-las-series-de-television-espanolas-246581<\/a><\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p>Buhigas Jim\u00e9nez, R. y Mer\u00e1s, L. (2024), \u201cL\u2019enfance comme projet manqu\u00e9 dans l\u2019assimilation coloniale des Gitans\u201d Jean-Fr\u00e9d\u00e9ric, Schaub (dir.), Race et histoire en Am\u00e9rique Latine, <em>Politika<\/em>, 26 noviembre 2024, <a href=\"https:\/\/politika.io\/fr\/article\/lenfance-projet-manque-lassimilation-coloniale-gitans\">https:\/\/politika.io\/fr\/article\/lenfance-projet-manque-lassimilation-coloniale-gitans<\/a><\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p>Mer\u00e1s, L (2024). \u201cA Romani woman in Eurovision: ethnic and gender stereotypes in the reception of Remedios Amaya (1983<em>), Journal of Spanish Cultural Studies<\/em>, 25 (2), pp-243-259. <a href=\"https:\/\/doi.org\/10.1080\/14636204.2024.2347313\">https:\/\/doi.org\/10.1080\/14636204.2024.2347313<\/a><\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p>Mer\u00e1s, L (2023). \u201cPicasso, symbole de la r\u00e9conciliation nationale dans le NO-DO durant la Transition vers la d\u00e9mocratie\u201d en Sonia Kerfa, Pierre G\u00e9al and Anne Cayuela (Eds.). <em>Picasso Hors Cadre, <\/em>\u00c9ditions Orbis Tertius, pp. 109-144.<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p style=\"text-align: justify;\">Mer\u00e1s, Lidia (2023), &#8220;Picasso como s\u00edmbolo de la reconciliaci\u00f3n nacional en NO-DO durante la Transici\u00f3n&#8221;, <em>Anales de Historia del Arte<\/em>, 33, pp. 323-344.<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p style=\"text-align: justify;\">Mer\u00e1s, L. (2023). \u201cChildhood and Nature in Iranian Post-War film Willow and Wind (Talebi, 1999)\u201d,  <em>New Cinemas. Journal of Contemporary Film <\/em>, 19 (1), pp. 39\u201352, <a href=\"https:\/\/doi.org\/10.1386\/ncin_00023_1\">https:\/\/doi.org\/10.1386\/ncin_00023_1<\/a>  <\/p>\n<\/div><\/li><\/ul><div class=\"fusion-title title fusion-title-4 fusion-sep-none fusion-title-text fusion-title-size-three\" style=\"--awb-text-color:var(--awb-custom_color_4);--awb-margin-top:30px;--awb-margin-bottom:0px;--awb-margin-top-small:40px;--awb-margin-bottom-small:20px;--awb-font-size:var(--awb-typography2-font-size);\"><h3 class=\"fusion-title-heading title-heading-left fusion-responsive-typography-calculated\" style=\"font-family:&quot;Archivo&quot;;font-style:normal;font-weight:700;margin:0;font-size:1em;letter-spacing:var(--awb-typography2-letter-spacing);text-transform:var(--awb-typography2-text-transform);--fontSize:18;--minFontSize:18;line-height:var(--awb-typography2-line-height);\">Contributions to conferences, seminars and master-classes<\/h3><\/div><ul style=\"--awb-size:16px;--awb-iconcolor:var(--awb-custom_color_4);--awb-divider-color:var(--awb-color1);--awb-textcolor:var(--awb-custom_color_3);--awb-line-height:27.2px;--awb-icon-width:27.2px;--awb-icon-height:27.2px;--awb-icon-margin:11.2px;--awb-content-margin:38.4px;\" class=\"fusion-checklist fusion-checklist-2 fusion-checklist-default fusion-checklist-divider type-icons checklist-research\"><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p>Seminar \u201cLa imagen del otro. Minor\u00edas \u00e9tnicas en la Historia del Arte\u201d, Universidad Aut\u00f3noma de Madrid, 28 january 2025.<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p>\u201cDocRoma. The image of the Roma in documentary film \u201c, Just in Time: (In)Visible Otherness in Iberian Visual Cultures MLA Conference, New Orleans, Eglinton Winton, 9 january 2025.<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p>\u201cDe Curro Jim\u00e9nez a Drag Race. Los gitanos en las series espa\u00f1olas de la democracia\u201d, Biblioteca Eugenio Tr\u00edas, El Retiro, 28 november 2024.<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p>\u201cApag\u00f3n (2022): A New Racial \u2018Balance\u2019 in Post-pandemic Spain?\u201d, ACIS, 45, Dublin, 5 september 2024.<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p>\u201cDark Times, White Fantasies. Ethnicity and collapse in European miniseries\u201d, NECS, Esmirna (Turqu\u00eda), 27\u201329 june 2024.<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p>\u201cHidden Memories. Images of Romanies in La Digitalizadora\u201d, Radical Film Network Conference, 19-22 June 2024, UAM.<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p>\u201cEurovisi\u00f3n 1983: Spain, 0 points\u201d, II Small Stories Conference, Universidad Aut\u00f3noma de Madrid, 9 october 2024.<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p>Seminar \u201cFeminismo y raza en la Universidad\u201d, Universidad Aut\u00f3noma de Madrid, 14 november 2023.<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p style=\"text-align: justify;\">\u201cAy, darling, yo querer o\u00edr los gitanos\u201d. Antigitanismo y agencia roman\u00ed en Martingala (Fernando Mignoni, 1940), Association for Contemporary Iberian Studies (ACIS), Annual Conference, Facultade de Letras, Universidade do Porto, Oporto, Portugal, 6 september 2023. <\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p style=\"text-align: justify;\">Seminar &#8220;Experiencias de investigaci\u00f3n en cine pol\u00edtico&#8221;. Organised by Alberto Berzosa (CSIC), Miguel Errazu (UAM), Mar\u00eda Luisa Ortega (UAM) y Xose Prieto Souto (Universidad Carlos III de Madrid). Devisiones. Discursos, genealog\u00edas y pr\u00e1cticas en la creaci\u00f3n visual contempor\u00e1nea (UAM) y Tecmerin. Televisi\u00f3n-Cine: memoria, representaci\u00f3n e industria (UC3M), Universidad Aut\u00f3noma de Madrid, 9 may 2023.<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p style=\"text-align: justify;\">Buhigas Jim\u00e9nez, Rafael y Lidia Mer\u00e1s, \u201cLa infancia como proyecto fallido en la asimilaci\u00f3n colonial de los gitanos\u201d. Congress \u201cRelecturas del fracaso Comunidades, g\u00e9nero, raza y lengua en perspectiva hist\u00f3rica\u201d, Proyecto Failure, Instituto de Investigaciones Hist\u00f3ricas de la UNAM, Auditorio del Archivo General of Estado de Oaxaca, M\u00e9xico, 16 January 2023.<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p style=\"text-align: justify;\">Mer\u00e1s, Lidia, \u201c\u201cCon mucho acento\u201d. Voces gitanas y poder\u00edo en el deepfake de Lola Flores\u201d. Mujeres y cine en Iberoam\u00e9rica: pol\u00edticas, representaciones, historias, interseccionalidades, Grupo de Investigaci\u00f3n Tecmerin &#8211; Instituto Universitario del Cine Espa\u00f1ol (Universidad Carlos III de Madrid), 23-09-2022.<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p style=\"text-align: justify;\">Mer\u00e1s, Lidia, \u201cEl artista en los medios audiovisuales. El caso de Picasso en el NO-DO\u201d, Curso estival UNED\/ El Prado: Audiovisualizaci\u00f3n de la historia del arte y del museo. Ways of Seeing cincuenta a\u00f1os despu\u00e9s, Museo del Prado, 7 july 2022.<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p style=\"text-align: justify;\">Mer\u00e1s, Lidia, \u201cRoma Self-Representation in \u2018Jacques L\u00e9onard, el payo Chac\u2019 (2011)\u201d, Association of Hispanists of Great Britain and Ireland (AHGBI) &#8211; 67th Annual Conference, Senate House, IMLR, 12 april 2022.<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p class=\"p1\" style=\"text-align: justify;\"><span class=\"s1\">Mer\u00e1s, Lidia, \u201cA Romani Woman in Eurovision: Ethnic and Gender Stereotypes in the Reception of Remedios Amaya\u201d, International Romani Day Colloquium, King\u2019s College, London, 8 april 2022.<\/span><\/p>\n<\/div><\/li><\/ul><div class=\"fusion-title title fusion-title-5 fusion-sep-none fusion-title-text fusion-title-size-three\" style=\"--awb-text-color:var(--awb-custom_color_4);--awb-margin-top:30px;--awb-margin-bottom:0px;--awb-margin-top-small:40px;--awb-margin-bottom-small:20px;--awb-font-size:var(--awb-typography2-font-size);\"><h3 class=\"fusion-title-heading title-heading-left fusion-responsive-typography-calculated\" style=\"font-family:&quot;Archivo&quot;;font-style:normal;font-weight:700;margin:0;font-size:1em;letter-spacing:var(--awb-typography2-letter-spacing);text-transform:var(--awb-typography2-text-transform);--fontSize:18;--minFontSize:18;line-height:var(--awb-typography2-line-height);\">Coordinator of workshops, round tables and seminars<\/h3><\/div><ul style=\"--awb-size:16px;--awb-iconcolor:var(--awb-custom_color_4);--awb-divider-color:var(--awb-color1);--awb-textcolor:var(--awb-custom_color_3);--awb-line-height:27.2px;--awb-icon-width:27.2px;--awb-icon-height:27.2px;--awb-icon-margin:11.2px;--awb-content-margin:38.4px;\" class=\"fusion-checklist fusion-checklist-3 fusion-checklist-default fusion-checklist-divider type-icons checklist-research\"><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p>Intensive methodology seminar &#8220;Una perspectiva semi\u00f3tica para el estudio del comisariado de arte&#8221; (with Juan Albarr\u00e1n and In\u00e9s Plasencia) and organized by Olga Fern\u00e1ndez L\u00f3pez. Conducted by Marita Soto (UNA, Buenos Aires) and Alumin\u00e9 Rosso (Universit\u00e9 de Li\u00e8ge \u2013 Lyon 2 \u2013 ICAR), Universidad Aut\u00f3noma de Madrid, 12-13 september 2024.<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p style=\"text-align: justify;\"><span class=\"x_ContentPasted8\">Coordination <span class=\"x_ContentPasted9\">(with Rafael Jap\u00f3n) of<\/span>Divulgaci\u00f3n Cient\u00edfica Workshop: <\/span><span class=\"x_ContentPasted8\">\u201cComunicaci\u00f3n y divulgaci\u00f3n\u201d. Presentation of \u201c<\/span><span class=\"x_ContentPasted8\">Divulga tu investigaci\u00f3n en redes sociales\u201d y Taller pr\u00e1ctico sobre estrategias de divulgaci\u00f3n\u201d <\/span><span class=\"x_ContentPasted8\">, <\/span><span class=\"x_ContentPasted8\">Programa de Doctorado en Estudios art\u00edsticos, literarios y de la Cultura, <span class=\"x_ContentPasted11\">UAM, 2 <\/span>junio 2023.<\/span><\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p style=\"text-align: justify;\"><span class=\"x_ContentPasted10\">Coordination of workshop (<\/span><span class=\"x_ContentPasted10\"><span class=\"x_ContentPasted12\">with Rafael Buhigas Jim\u00e9nez) <\/span><\/span> <span class=\"x_ContentPasted10\">\u201cPeaky Blinders. La imagen de los gitanos en las series contempor\u00e1neas\u201d. Universidad Aut\u00f3noma de Madrid, 8 november 2023.<\/span><\/p>\n<\/div><\/li><\/ul><div class=\"fusion-title title fusion-title-6 fusion-sep-none fusion-title-text fusion-title-size-three\" style=\"--awb-text-color:var(--awb-custom_color_4);--awb-margin-top:30px;--awb-margin-bottom:0px;--awb-margin-top-small:40px;--awb-margin-bottom-small:20px;--awb-font-size:var(--awb-typography2-font-size);\"><h3 class=\"fusion-title-heading title-heading-left fusion-responsive-typography-calculated\" style=\"font-family:&quot;Archivo&quot;;font-style:normal;font-weight:700;margin:0;font-size:1em;letter-spacing:var(--awb-typography2-letter-spacing);text-transform:var(--awb-typography2-text-transform);--fontSize:18;--minFontSize:18;line-height:var(--awb-typography2-line-height);\">PhD dissertations<\/h3><\/div><ul style=\"--awb-size:16px;--awb-iconcolor:var(--awb-custom_color_4);--awb-divider-color:var(--awb-color1);--awb-textcolor:var(--awb-custom_color_3);--awb-line-height:27.2px;--awb-icon-width:27.2px;--awb-icon-height:27.2px;--awb-icon-margin:11.2px;--awb-content-margin:38.4px;\" class=\"fusion-checklist fusion-checklist-4 fusion-checklist-default fusion-checklist-divider type-icons\"><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p>Constanza de Haro (UC3M): &#8220;Redes, intercambios e influencias. La escuela de cine de Madrid (IIEC-EOC) en el contexto internacional del siglo XX\u201d. Codirectora con Asier Aranzubia (UC3M). Inicio: 28\/08\/2025. Lectura prevista: 14\/07\/2029.<\/p>\n<\/div><\/li><\/ul><div class=\"fusion-title title fusion-title-7 fusion-sep-none fusion-title-text fusion-title-size-three\" style=\"--awb-text-color:var(--awb-custom_color_4);--awb-margin-top:30px;--awb-margin-bottom:0px;--awb-margin-top-small:40px;--awb-margin-bottom-small:20px;--awb-font-size:var(--awb-typography2-font-size);\"><h3 class=\"fusion-title-heading title-heading-left fusion-responsive-typography-calculated\" style=\"font-family:&quot;Archivo&quot;;font-style:normal;font-weight:700;margin:0;font-size:1em;letter-spacing:var(--awb-typography2-letter-spacing);text-transform:var(--awb-typography2-text-transform);--fontSize:18;--minFontSize:18;line-height:var(--awb-typography2-line-height);\">Appointments<\/h3><\/div><ul style=\"--awb-size:16px;--awb-iconcolor:var(--awb-custom_color_4);--awb-divider-color:var(--awb-color1);--awb-textcolor:var(--awb-custom_color_3);--awb-line-height:27.2px;--awb-icon-width:27.2px;--awb-icon-height:27.2px;--awb-icon-margin:11.2px;--awb-content-margin:38.4px;\" class=\"fusion-checklist fusion-checklist-5 fusion-checklist-default fusion-checklist-divider type-icons\"><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p>Coordinator of the recognized research group DeVisiones. Discursos, Genealog\u00edas y Pr\u00e1cticas en la Creaci\u00f3n Visual Contempor\u00e1nea (F-085), Universidad Aut\u00f3noma de Madrid (2024-).<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p>Member of the Advisory Board of <i>Latente.<\/i><em> Revista de Historia y Est\u00e9tica del Cine, Fotograf\u00eda y Cultura Visual, <\/em>Universidad de La Laguna (since april 2023).<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p>Member of the Scientific Committee of the I Congreso Internacional Surcos. 125 Aniversario de Luis Bu\u00f1uel. Asociaci\u00f3n de Estudios Cinematogr\u00e1ficos, Centro Bu\u00f1uel de Calanda, Teruel (24-26 october 2025).<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p>Accredited as Full Professor (ANECA), 17\/10\/2024.<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p style=\"text-align: justify;\">\u2018Honorary Research Associate\u2019 en el Departamento Languages, Literatures and Cultures, Royal Holloway, University of London, 15 march 2022.<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p style=\"text-align: justify;\">\u2018Contratado Doctor\u2019 y \u2018Profesora de Universidad Privada\u2019 Acreditada por la ANECA, march 2022.<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p style=\"text-align: justify;\">Vicecoordinadora del M\u00e1ster en Historia del Arte Contempor\u00e1neo y Cultura Visual, Museo Reina Sof\u00eda, Universidad Aut\u00f3noma de Madrid y Universidad Complutense (diciembre 2022).<\/p>\n<\/div><\/li><\/ul><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-3 fusion-flex-container has-pattern-background has-mask-background nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-padding-right:12vw;--awb-padding-bottom:100px;--awb-padding-left:12vw;--awb-padding-right-small:20px;--awb-padding-left-small:20px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:95.68%;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-3 fusion_builder_column_1_4 1_4 fusion-flex-column\" style=\"--awb-padding-top:8px;--awb-padding-right:15px;--awb-padding-bottom:8px;--awb-padding-left:15px;--awb-bg-color:var(--awb-custom_color_3);--awb-bg-color-hover:var(--awb-custom_color_3);--awb-bg-size:cover;--awb-width-large:25%;--awb-margin-top-large:0px;--awb-spacing-right-large:7.68%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:7.68%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-title title fusion-title-8 fusion-sep-none fusion-title-text fusion-title-size-four\" style=\"--awb-text-color:var(--awb-custom_color_6);--awb-margin-bottom:0px;--awb-margin-bottom-small:0px;--awb-font-size:30px;\"><h4 class=\"fusion-title-heading title-heading-left fusion-responsive-typography-calculated\" style=\"font-family:var(--awb-custom_typography_1-font-family);font-weight:var(--awb-custom_typography_1-font-weight);font-style:var(--awb-custom_typography_1-font-style);margin:0;font-size:1em;letter-spacing:var(--awb-custom_typography_1-letter-spacing);text-transform:var(--awb-custom_typography_1-text-transform);--fontSize:30;line-height:var(--awb-custom_typography_1-line-height);\">Rafael Buhigas<\/h4><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-4 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-padding-top:30px;--awb-padding-right:30px;--awb-padding-bottom:30px;--awb-padding-left:30px;--awb-padding-right-small:15px;--awb-padding-left-small:15px;--awb-bg-size:cover;--awb-border-color:var(--awb-custom_color_3);--awb-border-top:1px;--awb-border-right:1px;--awb-border-bottom:1px;--awb-border-left:1px;--awb-border-style:solid;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-title title fusion-title-9 fusion-sep-none fusion-title-text fusion-title-size-three\" style=\"--awb-text-color:var(--awb-custom_color_4);--awb-margin-bottom:0px;--awb-margin-bottom-small:40px;--awb-font-size:var(--awb-typography2-font-size);\"><h3 class=\"fusion-title-heading title-heading-left fusion-responsive-typography-calculated\" style=\"font-family:&quot;Archivo&quot;;font-style:normal;font-weight:700;margin:0;font-size:1em;letter-spacing:var(--awb-typography2-letter-spacing);text-transform:var(--awb-typography2-text-transform);--fontSize:18;--minFontSize:18;line-height:var(--awb-typography2-line-height);\">Publicaciones<\/h3><\/div><ul style=\"--awb-size:16px;--awb-iconcolor:var(--awb-custom_color_4);--awb-divider-color:var(--awb-color1);--awb-textcolor:var(--awb-custom_color_3);--awb-line-height:27.2px;--awb-icon-width:27.2px;--awb-icon-height:27.2px;--awb-icon-margin:11.2px;--awb-content-margin:38.4px;\" class=\"fusion-checklist fusion-checklist-6 fusion-checklist-default fusion-checklist-divider type-icons checklist-research\"><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p dir=\"ltr\" role=\"presentation\">Rafael Buhigas Jim\u00e9nez (2026). &#8220;After genocide: continuing violence against Romani people&#8221;, in Ari Joskowicz, Jennifer Illuzi and Dalen Wakley-Smith (Eds.), <em>Oxford Handbook of Romani History<\/em>. USA: Oxford University Press [2027, in press].  <\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p dir=\"ltr\" role=\"presentation\">Rafael Buhigas Jim\u00e9nez. &#8220;The Limits of the Spanish White Academy. The Challenge of Writing Romani History While Being Romani&#8221;, in Iulius Rostas, Anna Mirga-Kruszelnicka &amp; Calin Rus (eds.), <em>Racism and Romani Studies: Challenging Academia, Policy and Representation<\/em>. United Kingdom: Springer, 2026 [in press].  <\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p dir=\"ltr\" role=\"presentation\">Rafael Buhigas Jim\u00e9nez &amp; Lidia Mer\u00e1s. &#8220;Interwar Romanies in the British Path\u00e9 (1922-1939)&#8221;. <em>Historical Journal of Film, Radio and Television<\/em> (2026). [in press].  <\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p dir=\"ltr\" role=\"presentation\">Rafael Buhigas Jim\u00e9nez. &#8220;Past, Present, and Future of Critical Romani Studies&#8221;, <em>Romance Quarterly<\/em>, vol. 73, n.\u00ba 4 [Oct. 2026, in press]. <\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p>Rafael Buhigas Jim\u00e9nez. &#8220;\u2018Antigypsyism Does Not Exist\u2019 and Other Assessments. Romani History by a Romani Historian Evaluated at the White Academy&#8221;, <em>Critical Romani Studies<\/em>, vol. 8, no. 1 (2025).<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p>Buhigas Jim\u00e9nez, Rafael (2025), &#8220;Controlling pests and avoiding vices. Patterns of Antigypsyism in the Romani immigration to the port of Buenos Aires (1900-1950)&#8221;, in Martin Fotta y Ann Ostendorf, The Romani Atlantic: Flows, Circulations and Migrations that Made the Modern World, Cambridge University Press, in press.<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p>Buhigas Jim\u00e9nez, Rafael (2025), &#8220;La formaci\u00f3n del asociacionismo pol\u00edtico pro-gitano en Madrid durante el segundo franquismo (1960-1975)&#8221;, <em>El Futuro del Pasado, in press<\/em>.<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p>Buhigas Jim\u00e9nez, Rafael (2025), &#8220;\u00bfExterminar a los gitanos en Espa\u00f1a? La Gran Redada de 1749&#8221;, <em>The Conversation<\/em>, 12 february 2025. ISSN: 2201-5639, https:\/\/theconversation.com\/exterminar-a-los-gitanos-en-espana-la-gran-redada-de-1749-248259<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p>Buhigas Jim\u00e9nez, R. y Mer\u00e1s, L. (2024), \u201cL\u2019enfance comme projet manqu\u00e9 dans l\u2019assimilation coloniale des Gitans\u201d Jean-Fr\u00e9d\u00e9ric, Schaub (dir.), Race et histoire en Am\u00e9rique Latine, <em>Politika<\/em>, 26 noviembre 2024, <a href=\"https:\/\/politika.io\/fr\/article\/lenfance-projet-manque-lassimilation-coloniale-gitans\">https:\/\/politika.io\/fr\/article\/lenfance-projet-manque-lassimilation-coloniale-gitans<\/a><\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p>Buhigas Jim\u00e9nez, Rafael (2024), &#8220;\u00a1La periferia arde! Violencia y hostigamiento urbano contra los gitanos de Madrid en los a\u00f1os 80&#8221;, \u00c1reas. Revista Internacional de Ciencias Sociales, n\u00ba 46, pp. 5-23, https:\/\/doi.org\/10.6018\/areas.499071<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p style=\"text-align: justify;\"><span style=\"background-color: rgba(255, 255, 255, 0); color: var(--awb-custom_color_3); font-family: var(--body_typography-font-family); font-style: var(--body_typography-font-style,normal); font-weight: var(--body_typography-font-weight); letter-spacing: var(--body_typography-letter-spacing);\">Buhigas Jim\u00e9nez, Rafael; De Miguel Salanova, Santiago y Hernando P\u00e9rez, Josu (2023). \u201cLa estigmatizaci\u00f3n de las comunidades gitanas en la pandemia de gripe espa\u00f1ola. Un estudio de caso a trav\u00e9s de la provincia de Bizkaia en 1918\u201d, ASCLEPIO. Revista de Historia de la Medicina y de la Ciencia, n\u00ba 75.1. https:\/\/doi.org\/10.3989\/asclepio.2023.14<\/span><\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p style=\"text-align: justify;\"><span style=\"background-color: rgba(255, 255, 255, 0); color: var(--awb-custom_color_3); font-family: var(--body_typography-font-family); font-style: var(--body_typography-font-style,normal); font-weight: var(--body_typography-font-weight); letter-spacing: var(--body_typography-letter-spacing);\">Buhigas Jim\u00e9nez, Rafael (2023). \u201cWriting historiography and entering the anthropological field while being a Roma historian in the times of Covid-19\u201d, Anthropological Notebooks, vol. 29, n\u00ba 3.<\/span><\/p>\n<\/div><\/li><\/ul><div class=\"fusion-title title fusion-title-10 fusion-sep-none fusion-title-text fusion-title-size-three\" style=\"--awb-text-color:var(--awb-custom_color_4);--awb-margin-top:30px;--awb-margin-bottom:0px;--awb-margin-top-small:40px;--awb-margin-bottom-small:20px;--awb-font-size:var(--awb-typography2-font-size);\"><h3 class=\"fusion-title-heading title-heading-left fusion-responsive-typography-calculated\" style=\"font-family:&quot;Archivo&quot;;font-style:normal;font-weight:700;margin:0;font-size:1em;letter-spacing:var(--awb-typography2-letter-spacing);text-transform:var(--awb-typography2-text-transform);--fontSize:18;--minFontSize:18;line-height:var(--awb-typography2-line-height);\">Contributions to conferences, seminars and master-classes<\/h3><\/div><ul style=\"--awb-size:16px;--awb-iconcolor:var(--awb-custom_color_4);--awb-divider-color:var(--awb-color1);--awb-textcolor:var(--awb-custom_color_3);--awb-line-height:27.2px;--awb-icon-width:27.2px;--awb-icon-height:27.2px;--awb-icon-margin:11.2px;--awb-content-margin:38.4px;\" class=\"fusion-checklist fusion-checklist-7 fusion-checklist-default fusion-checklist-divider type-icons checklist-research\"><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p>&#8220;Romanipen\/\u201cGypsyness\u201d, more than a Europeanized identity. Emergencies available&#8221;, Romani Racialization Beyond Majority-Minority Narratives: Transnationalism, Activism and Solidarity, Institute of Ethnology, Czech Academy of Science (Praga), 21 may 2025.<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p>&#8220;Antigypsyism in four acts&#8221;, Sinti and Roma in Europe in the past and present: Between antigypsyism, resistance, and minority rights, Heidelberg University (Germany), 21 january 2025.<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p>&#8220;Gitanos under Franco&#8217;s dictatorship: in the mirror of Nazi Germany&#8221;, O impacto do Holocausto Cigano na atualidade, Office of the United Nations High Commissioner for Human Rights, 11 september 2024.<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p style=\"text-align: justify;\">\u201c\u2018Gitanos\u2019 from Working-Class Neighbourhoods in the (Proto)Gossip Magazines: Racialization and Criminalization in Madrid (1850\u20131900)\u201d, International Conference. Racializing Romani People in the Nineteenth Century, Prague Forum for Romani Histories at the Institute of Contemporary History, Czech Academy of Sciences, in partnership with Gonzaga University and Postgraduate School ZRC SAZU, Praga, 20 y 21 mayo 2024.<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p style=\"text-align: justify;\">Keynote speaker: \u201cHistoria y Cultura Gitana \u201d, Instituto Roman\u00f2 and Universidad de Granada, &#8220;Mediaci\u00f3n intercultural, \u00e1mbito de intervenci\u00f3n con poblaci\u00f3n gitana desfavorecida&#8221;, Granada, 25 april 2024.<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p style=\"text-align: justify;\">Keynote Speaker: \u201cLa Universidad tambi\u00e9n es Gitana\u201d, Universidad de Barcelona and CampusRom, Barcelona, 5 april 2024.<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p style=\"text-align: justify;\">\u201cIdentifying and controlling the Roma in the seaport. The Case of Roma Immigration from Central and Eastern Europe to Argentina (1911-1947)\u201d, Exploring Racial Capitalism. Critical Romani Studies in Central and Eastern Europe, Babes-Bolyai University y Central European University, Ruman\u00eda, 22 october 2023.<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p style=\"text-align: justify;\">\u201cHistoria del pueblo gitano\u201d, VI Edici\u00f3n del Curso Estrategias de Intervenci\u00f3n con la Comunidad Gitana Desfavorecida, Instituto Roman\u00f2 and Universidad Pablo de Olavide, Espa\u00f1a, 18 october 2023.<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p style=\"text-align: justify;\">\u201c&#8217;Anti-Gypsyism does not exist&#8217; and other assessments. The Romani History by a Roma historian to be evaluated at the Gadje Academy\u201d, International Academic Conference \u201cRacism and Romani Studies\u201d, West University of Timisoara, Ruman\u00eda, 14 y 15 september 2023.<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p style=\"text-align: justify;\">\u201cThe &#8216;Gypsy housing&#8217; in the Spain Franco&#8217;s dictatorship and the democratic transition: delinquency, insalubrity and immoral\u201d, International Workshop on Romani Asymmetrical Dependencies, The Bonn Center for Dependency and Slavery Studies, University of Bonn, Germany, 6 june 2023.<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p style=\"text-align: justify;\">\u201cImages of Roma settlements in contemporary Madrid\u201d, Romaphobia in Europe Workshop, Loughborough University London &amp; Institute for Diplomacy and International Governance, London, 17 november 2022.<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p style=\"text-align: justify;\">Inaugural conference: \u201cHistoria y Cultura Gitana y antigitanismo\u201d, to Instituto Roman\u00f2 during the courses on Roma inclusion and participation in October 2022.<\/p>\n<\/div><\/li><\/ul><div class=\"fusion-title title fusion-title-11 fusion-sep-none fusion-title-text fusion-title-size-three\" style=\"--awb-text-color:var(--awb-custom_color_4);--awb-margin-top:30px;--awb-margin-bottom:0px;--awb-margin-top-small:40px;--awb-margin-bottom-small:20px;--awb-font-size:var(--awb-typography2-font-size);\"><h3 class=\"fusion-title-heading title-heading-left fusion-responsive-typography-calculated\" style=\"font-family:&quot;Archivo&quot;;font-style:normal;font-weight:700;margin:0;font-size:1em;letter-spacing:var(--awb-typography2-letter-spacing);text-transform:var(--awb-typography2-text-transform);--fontSize:18;--minFontSize:18;line-height:var(--awb-typography2-line-height);\">Coordinator of workshops, round tables and seminars<\/h3><\/div><ul style=\"--awb-size:16px;--awb-iconcolor:var(--awb-custom_color_4);--awb-divider-color:var(--awb-color1);--awb-textcolor:var(--awb-custom_color_3);--awb-line-height:27.2px;--awb-icon-width:27.2px;--awb-icon-height:27.2px;--awb-icon-margin:11.2px;--awb-content-margin:38.4px;\" class=\"fusion-checklist fusion-checklist-8 fusion-checklist-default fusion-checklist-divider type-icons\"><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p style=\"text-align: justify;\">Coordination: \u201cPeaky Blinders. La imagen de los gitanos en las series contempor\u00e1neas\u201d. Universidad Aut\u00f3noma de Madrid (Madrid, Espa\u00f1a) (8 november 2023).<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p style=\"text-align: justify;\">Coordination: \u201cC\u00edrculo de Estudios Gitanos. Tercera Edici\u00f3n. Representaciones y autorrepresentaciones de los gitanos en el cine\u201d. Universidad Nacional de San Mart\u00edn, Instituto de Altos Estudios Sociales (San Mart\u00edn, Buenos Aires) y Universidad Complutense (Madrid, Espa\u00f1a) (may-december 2022).<\/p>\n<\/div><\/li><\/ul><div class=\"fusion-title title fusion-title-12 fusion-sep-none fusion-title-text fusion-title-size-three\" style=\"--awb-text-color:var(--awb-custom_color_4);--awb-margin-top:30px;--awb-margin-bottom:0px;--awb-margin-top-small:40px;--awb-margin-bottom-small:20px;--awb-font-size:var(--awb-typography2-font-size);\"><h3 class=\"fusion-title-heading title-heading-left fusion-responsive-typography-calculated\" style=\"font-family:&quot;Archivo&quot;;font-style:normal;font-weight:700;margin:0;font-size:1em;letter-spacing:var(--awb-typography2-letter-spacing);text-transform:var(--awb-typography2-text-transform);--fontSize:18;--minFontSize:18;line-height:var(--awb-typography2-line-height);\">Appointments<\/h3><\/div><ul style=\"--awb-size:16px;--awb-iconcolor:var(--awb-custom_color_4);--awb-divider-color:var(--awb-color1);--awb-textcolor:var(--awb-custom_color_3);--awb-line-height:27.2px;--awb-icon-width:27.2px;--awb-icon-height:27.2px;--awb-icon-margin:11.2px;--awb-content-margin:38.4px;\" class=\"fusion-checklist fusion-checklist-9 fusion-checklist-default fusion-checklist-divider type-icons\"><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p>Chairman of the International Advisory Board of the Prague Center for Romani Histories, november 2025.<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p>Member of the Barvalipe Academy del European Romani Institute for Arts and Culture, september 2024.<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p style=\"text-align: justify;\">Pearl Resnick Postdoctoral Fellow of the Jack, Joseph and Morton Mandel Center for Advanced Holocaust Studies, United States Holocaust Memorial Museum, Washington DC (USA).<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-caret-right fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p style=\"text-align: justify;\">Academic member of the European Roma Institute for Arts and Culture (ERIAC), May 2023.<\/p>\n<\/div><\/li><\/ul><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"100-width.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-3326","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/docroma.org\/en\/wp-json\/wp\/v2\/pages\/3326","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/docroma.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/docroma.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/docroma.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/docroma.org\/en\/wp-json\/wp\/v2\/comments?post=3326"}],"version-history":[{"count":20,"href":"https:\/\/docroma.org\/en\/wp-json\/wp\/v2\/pages\/3326\/revisions"}],"predecessor-version":[{"id":4431,"href":"https:\/\/docroma.org\/en\/wp-json\/wp\/v2\/pages\/3326\/revisions\/4431"}],"wp:attachment":[{"href":"https:\/\/docroma.org\/en\/wp-json\/wp\/v2\/media?parent=3326"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}